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 馬德琳·勒梅爾(1845-1928年4月8日)法國(guó)女畫(huà)家、粉筆畫(huà)家和插畫(huà)家。擅長(zhǎng)優(yōu)雅的女性和美麗的花卉題材作品。著名畫(huà)家羅伯特·德孟德斯鳩說(shuō)她是玫瑰皇后。她把馬塞爾·普魯斯特和雷諾·哈恩介紹給巴黎貴族沙龍。她自己開(kāi)了一家沙龍,在那里,她在蒙索街的h?tel Specializer酒店受到了上流社會(huì)的歡迎。 ············································································································································································································
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1893年,勒梅爾在伊利諾伊州芝加哥 哥倫比亞世界博覽會(huì)上的女性建筑展出了她的作品。喬治·派特在他的書(shū)《馬塞爾·普魯斯特》中說(shuō),她是普魯斯特的《威爾都林夫人》(Madame Verdurin,尋找失去的時(shí)間)的模特之一。 ··········································································································································································································· ······································································································································································································
馬德琳·勒梅爾以她天生的權(quán)威、活力和謙遜而聞名。她以世俗的德維萊普里斯夫人和暴君維杜林的身份來(lái)到我們這里,尋找馬塞爾·普魯斯特浪費(fèi)的時(shí)間。在她的工作室里,有幾張照片描繪了她。這是蒙索平原的冬季花園,她在那里受到了無(wú)與倫比的歡迎。作家、音樂(lè)家、法國(guó)喜劇演員和政界人士每周二傍晚都會(huì)涌入這家著名的音樂(lè)和文學(xué)沙龍。丹迪·羅伯特·德孟德斯鳩是個(gè)忠誠(chéng)的人。男高音歌手雷納爾多·哈恩在那里贏得了第一批觀(guān)眾。1891年,普魯斯特被介紹給那里的世俗惡魔。夏天,這個(gè)美麗的社會(huì)得益于朋友們?cè)诼由系某Τ潜さ臒崆楹每?,普魯斯特先生在那里?xiě)下了《幸福與日子》,由R·哈恩的四首鋼琴歌曲和勒梅爾先生的《野花水彩》完成。
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