如恩設(shè)計(jì)受開(kāi)發(fā)商阿那亞Aranya之邀在他們的海濱度假社區(qū)設(shè)計(jì)一個(gè)藝術(shù)中心，如恩也希望借此契機(jī)，嘗試突破藝術(shù)中心與公共空間的固有定義。

When enlightened developer Aranya asked Neri&Hu to design an art center inside their seaside resort community, Neri&Hu seized the opportunity to question the notions of space for art versus communal space.

作為一個(gè)社區(qū)，Aranya是一個(gè)藝術(shù)中心，盡管簡(jiǎn)單明了，但它非常強(qiáng)調(diào)其生活方式意識(shí)形態(tài)的精神本質(zhì)，即與環(huán)境的統(tǒng)一性。因而，除了滿(mǎn)足藝術(shù) 展陳的功能外，如恩在建筑內(nèi)部設(shè)計(jì)了一個(gè)環(huán)形的庭院，作為社區(qū)居民的公共活動(dòng)空間。

Despite the straightforward brief of an art center, Aranya, as a community has a strong emphasis on the spiritual nature of their lifestyle ideology, an oneness with the environment. So the design scheme is as much about the internal courtyard, a communal space for the residents, as it is about the exhibition being displayed in the center.

當(dāng)?shù)睾Ｋ軞夂虻挠绊懀霈F(xiàn)季節(jié)性的變化——夏季，海水蔚藍(lán)、寧?kù)o；冬季則在表面凝結(jié)成冰，藝術(shù)中心的概念設(shè)計(jì)便以季節(jié)性的海水變化為靈感，試圖將大自然的奇妙囊括于建筑的內(nèi)核。

Drawing inspiration from the seasonal ocean waters nearby—azure and calm in the summers, splintered ice though winter—the building design attempts to encapsulate the natural wonder of water at its core.

該方案最大限度地?cái)U(kuò)大了它的外部足跡，但在中心雕刻出一個(gè)倒置的圓臺(tái)空間，在底部形成一座階梯圓形劇場(chǎng)。中心空間可以通過(guò)多種方式進(jìn)行重新配置和使用，在充滿(mǎn)水的時(shí)候是一個(gè)水景，在排水的時(shí)候是一個(gè)功能性能和聚集的地方。

The scheme maximizes its outer footprint but carves out a pure conical geometry at the center with a stepped amphitheater at the base. The central void space can be reconfigured and used in many ways, a water feature when filled with water, but also a functional performance and gathering place when the water is drained.

以上的展覽館受益于公共空間的整合，但它也使項(xiàng)目不僅僅是一個(gè)展示的場(chǎng)所，更是一個(gè)分享的場(chǎng)所。

The exhibition galleries above benefit from the public space integration, but it also makes the project much more than just a place for display, it is also a place for sharing.

厚重的建筑體量?jī)?nèi)部串聯(lián)了一系列空間，游客可以在其中自由漫步，緩慢上升，享受一段內(nèi)外視野精心編排的旅程。畫(huà)廊空間主要功能就是體驗(yàn)藝術(shù)的。這個(gè)項(xiàng)目在這方面沒(méi)有什么不同，螺旋上升的流線(xiàn)將人們引導(dǎo)至每一個(gè)畫(huà)廊空間，在展陳藝術(shù)品的過(guò)程中不斷激發(fā)人們的觀(guān)賞欲。

Within the thick mass of the building volume is a series of interlocking spaces that visitors can meander freely within, slowly ascending, enjoying a choreographed journey with directed views both inward and outward. Gallery spaces are about the enjoyment of art. This project is no different in that regard, a spiraling path leads you through all the spaces, urging you onwards by the desire to see more.

從底部的咖啡館、多功能畫(huà)廊和室外露天劇場(chǎng)開(kāi)始，路徑引導(dǎo)游客穿過(guò)五個(gè)不同的畫(huà)廊，最終到達(dá)建筑頂部，在這里可以360度俯瞰四周的風(fēng)景和建筑內(nèi)部的活動(dòng)。

Starting at the bottom with the Cafe, Multi-purpose Gallery, and an Outdoor Amphitheater, the path guides visitors through five distinct galleries, culminating at the rooftop where you get 360-degree viewing of the activities below.

建筑的立面和物質(zhì)性主要是由各種變形混凝土構(gòu)成的，無(wú)論是否有骨料，它的本質(zhì)都是沉重的，就像一塊堅(jiān)硬的巖石牢牢地坐落在不斷變化的環(huán)境中。部分光滑的表皮折射出萬(wàn)象的天空，而模塑的混凝土磚外墻則充分與日光互動(dòng)，營(yíng)造出另一種變幻的肌理。

Composed primarily of various textured concretes, with and without aggregate, the facade and materiality of the building is heavy in nature, like a solid rock sitting firmly in the shifting environment. Smooth surfaces reflect the changing skies, while the molded modular units pick up on the play of shadows throughout the day.

青銅元素在厚重的立面上起到強(qiáng)調(diào)作用，捕捉了自然的天光，并吸引人們對(duì)每個(gè)畫(huà)廊入口的注意。定制設(shè)計(jì)的照明與細(xì)節(jié)為樸實(shí)的色調(diào)增添了精致的細(xì)節(jié)。夜晚，室內(nèi)的光線(xiàn)沿著倒錐形的空間散射出來(lái)，點(diǎn)亮了海濱的整片社區(qū)。

Bronze elements act as accents on the heavy facade to catch light and draw attention to the entry of each gallery. Custom lighting and details add a touch of intricacy to the otherwise modest palette. In the evening, open modules allow light to shine through, the building is a jewel at the core of this seaside community.

平面圖

北立面

東立面

南立面

剖面圖

草圖

建筑師：如恩設(shè)計(jì)研究室

地點(diǎn)：河北 秦皇島 北戴河

創(chuàng)始合伙人&主創(chuàng)建筑師：郭錫恩, 胡如珊

設(shè)計(jì)團(tuán)隊(duì)：楊延蕙（建筑設(shè)計(jì)協(xié)理總監(jiān)）、郭鵬（協(xié)理），Utsav Jain、Josh Murphy、Gianpaolo Taglietti、高樂(lè)舟、Susana Sanglas、Lili Cheng、魯永新 (產(chǎn)品設(shè)計(jì)協(xié)理總監(jiān))

面積：1500平方米

年份：2019

攝影：Pedro Pegenaute、夏至

圖文轉(zhuǎn)自搜建筑 ，如涉侵權(quán)，請(qǐng)聯(lián)系刪除。