 | Gentile da Fabriano (Italian)-《Nativity》【1600像素】 |  | Antoine Coypel-《The Baptism of Christ》 |  | Antonio del Castillo y Saavedra-《Dead Christ with Lamenting Angels》 |  | Attributed to Bartolomeo Cavarozzi (Italian)-《 The Supper at Emmaus》(c. 1615–25)【1600像素】【(耶穌復(fù)活后)在以馬忤斯的晚餐】 |  | Bartolomeo Cavarozzi, Caravaggio-《Sacrifice of Isaac》 (c. 1603)【1600像素】 |  | Bartolomeo_Cavarozzi_-_Virgin and Child with Angels, Museum of Fine Arts, Houston【1600像素】 |  | Adriaen Ysenbrandt (Netherlandish, active 1510 1551) -《The Mass of Saint Gregory the Great》 |  | Agnolo Bronzino (Italian)-《St. John the Baptist》 |  | Ary Scheffer-《The Death of Saint Louis》圣路易之死 |  | 《埃特拉向她的兒子忒修斯指示他的父親藏寶劍的地方》(Aethra Showing her Son Theseus the Place Where his Father had Hidden)by 尼古拉·吉·布勒奈(Nicolas-Guy Brenet 1728–1792),他是法國一位歷史畫家,他早期跟隨洛可可藝術(shù)大事布歇學(xué)習(xí),但后來拋棄了洛可可風(fēng)格,轉(zhuǎn)而學(xué)習(xí)普桑的古典現(xiàn)實(shí)主義風(fēng)格,主要表現(xiàn)羅馬神話、歷史和世俗題材。 |  | Allegory of the Poet |  | Baron Francois-Pascal-Simon Gerard-The 10th of August, 1792 |  | Bartolo di Fredi-《The Virgin of the Annunciation》 |  | Dario di Giovanni-《Saint Augustine》 |  | Jean Bourdichon (French)-《Louis XII of France Kneeling in Prayer》 |  | Bartolomé Esteban Murillo (Spanish)-《The Vision of Saint Francis of Paola》 |  | Bartolomeo Schedoni-《Study for the The Charity of St. Elizabeth》圣伊麗莎白的仁慈(研習(xí)作品,非成稿) |  | Benjamin West-《Cymon and Iphigenia》取材于薄伽丘(Boccaccio)的故事。說一個(gè)粗魯無文的青年無意間看到熟睡的Iphigenia而愛上她,于是洗心革面和夢(mèng)中情人成了眷屬。 |  | Benjamin West-《Thetis bringing the Armor to Achilles》 |  | Bernardino Fungai (Italian, Sienese) -《Madonna and Child with Two Hermit Saints》 |  | Bernardino Mei (Italian, Sienese)-《Christ Cleansing the Temple》 |  | Bernardo Bellotto (Italian)-《View of the Grand Canal and the Dogana》 |  | Bernardo Cavallino (Italian)-《The Shade of Samuel Invoked by Saul》【1600像素】伯納多·卡瓦利諾(Bernardo Cavallino)在《圣經(jīng)》中描述了一段情節(jié):掃羅王即將與非利士人開戰(zhàn),要求恩多女巫召喚最近去世的先知塞繆爾(Samuel)的靈魂。塞繆爾的皮膚在附近一扇門發(fā)出的強(qiáng)光襯托下顯得灰白色。掃羅就用銳利的眼目,與跪著的王交戰(zhàn),報(bào)信說,明日非利士人要攻打以色列,掃羅和他兒子要在陣上陣亡。卡瓦利諾雄辯地表達(dá)了三個(gè)人物之間的情感互動(dòng)。 |  | Bernardo Rosselli-《The Triumph of Alexander》亞歷山大的勝利 |  | Bernardo Daddi (Italian, Florentine)-《Madonna, Saint Thomas Aquinas, and Saint Paul》 |  | Bouts, Dieric-《The Annunciation》 |  | Brueghel, the Elder, Jan-《The Sermon on the Mount》登山寶訓(xùn)(耶穌傳道的場(chǎng)景) |  | Canaletto (Giovanni Antonio Canal) (Italian)-《 View of the Arch of Constantine with the Colosseum》 |  | Carel Fabritius-《Mercury and Argus》墨丘利與阿耳戈斯 |  | Charles-Joseph Natoire (French)-《Head of a Bacchante》 |  | Charles-Joseph Natoire-《Psyche Obtaining the Elixir of Beauty from Proserpine》 |  | Cima da Conegliano-《Madonna and Child in a Landscape》 |  | Christian Gottlieb Hammer (German)-《View of Dresden》 |  | Claude Lorrain-《Coast View with the Abduction of Europa》 |  | Claude-Joseph Vernet (French)-《A Calm at a Mediterranean Port》 |  | Claude-Joseph Vernet (French)-《A Storm on a Mediterranean Coast》 |  | Cole Thomas-《II Penseroso》,1845 |  | Domenichino (Domenico Zampieri) (Italian)-《 The Way to Calvary》【1600像素】 |  | Domenichino_(Domenico_Zampieri),_The_Adoration_of_the_Shepherds,_c._1607-10,_Oil_on_canvas,_143_x_115cm,_National_Gallery_of_Scotland |  | Domenichino- A Virgin with a Unicorn, c. 1604-1605, fresco in Palazzo Farnese, Rome, after a design by Annibale Carracci【1600像素】 |  | Domenico Zampieri, known as Domenichino _St. John the Evangelist, c. 1621-1629【1600像素】福音書作者圣約翰 |  | Domenichino_-_Landscape with Tobias【1600像素】 |  | Domenichino - El_sacrificio_de_Isaac_(The Sacrifice of Isaac, 1627-1628【1600像素】Dosso Dossi (Giovanni di Niccolò de Lutero) (Italian, Ferrarese)-《Allegory of Fortune》Dosso Dossi (Giovanni di Niccolò de Lutero) (Italian, Ferrarese)-《Mythological Scene》 |  | Dosso Dossi (Giovanni di Niccolò de Lutero) (Italian, Ferrarese)-《Saint George》 |  | élisabeth Louise Vigée Le Brun (French)-《The Vicomtesse de Vaudreuil》 |  | Emanuel Gottlieb Leutze-《Mrs. Schuyler Burning Her Wheat Fields on the Approach of the British》 |  | Emmanuel de Witte-《Interior of the Nieuwe Kerk in Delft with the Tomb of William the Silent》 |  | Emmanuel de Witte-《Interior of the Oude Kerk, Amsterdam》 |  | Fra Bartolommeo-《Holy Family》 |  | Franco-Flemish Master (French or Flemish, active Burgundy, France about 1400) -《Adoration of the Magi with Saint Anthony Abbot》【1600像素】 |  | Frans van Mieristhe Elder (Dutch)-《The Doctor's Visit》 |  | Gelder, Aert de-《The Banquet of Ahasuerus》 |  | Gerrit Dou (Dutch)-《Astronomer by Candlelight》燭光下的天文學(xué)家 |  | Gerrit van Honthorst (Dutch)-《Christ Crowned with Thorns》 |  | Gerrit van Honthorst (Dutch)-《Musical Group on a Balcony》 |  | Giovanna Garzoni (Italian)-《Still Life with Bowl of Citrons》 |  | Giovanni Battista Lusieri (Italian)-《A View of the Bay of Naples, Looking Southwest from the Pizzofalcone towards Capo di Posilippo》【1600x613像素】【威廉·漢密爾頓爵士,1764年至1800年駐那不勒斯宮廷的英國使節(jié),想從他的公寓窗戶里看到那不勒斯灣的全景。他找到了意大利藝術(shù)家喬瓦尼·巴蒂斯塔·魯西里(Giovanni Battista Lusieri),后者詳細(xì)的畫作和水彩畫描繪了那不勒斯和其他意大利景點(diǎn)的風(fēng)景,在18世紀(jì)80年代和90年代受到了大批游客的歡迎。Lusieri在六張水彩紙上畫出了這幅全景圖。它的清晰度、顏色的純粹性和細(xì)節(jié)的精確性使許多人相信,魯西里使用望遠(yuǎn)鏡或暗箱來記錄他的背景的復(fù)雜性、比例和透視。】 |  | Georges de La Tour (French)-《The Musicians' Brawl》 |  | Gerard ter Borch (Dutch)-《The Music Lesson》 |  | Gerard ter Borch (Dutch)-《A Maid Milking a Cow in a Barn》 |  | Gerard ter Borch (Dutch)-《Horse Stable》 |  | Giovanni Battista Tiepolo (Italian)-《The Miracle of the Holy House of Loreto》 |  | Giovanni Battista Tiepolo (Italian)-《Alexander the Great and Campaspe in the Studio of Apelles》亞歷山大大帝在畫家阿佩萊斯的畫室里 |  | Giovanni Battista Pittoni (Italian, Venetian)-《The Sacrifice of Polyxena》 |  | Gerard Hoet (Dutch)-《The Banquet of Cleopatra》埃及艷后的盛宴 |  | Gerard Hoet (Dutch)-《The Death of Cleopatra》埃及艷后之死 |  | Giovanni Lanfranco (Italian)-《Elijah Receiving Bread from the Widow of Zarephath》先知以利亞接受寡婦的面包 |  | Giovanni Lanfranco (Italian)-《Moses and the Messengers from Canaan》摩西的故事 |  | Giulio Romano (Giulio Pippi) (Italian, Roman, before 1499-1546)-《The Holy Family》 |  | Giulio Cesare Procaccini (Italian, Bolognese) -《Coronation Of The Virgin With Saints Joseph And Francis Of Assisi》 |  | Giuseppe Maria Crespi (Italian, Bolognese) -《Bernard Tolomei and the Plague in Siena》 |  | Gotthelf Leberecht Glaeser-《Portrait of Herz Elias Reiss》 |  | Gotthelf Leberecht Glaeser-《Portrait of Adelheid Reiss Reiss》 |  | Guido Cagnacci (Italian)-《David with the Head of Goliath》大衛(wèi)與歌利亞的頭顱 |  | Guido Reni (Italian)-《Joseph and Potiphar's Wife》 |  | Hans Hoffmann (German)-《A Hare in the Forest》 |  | Hendrik Meyer (Dutch)-《A Winter Scene》 |  | Hooch, Pieter de-《A Woman Preparing Bread and Butter for a Boy》 |  | Hyacinthe Rigaud (French)-《Charles de Saint-Albin, Archbishop of Cambrai》 |  | Hubert Robert (French)-《A Hermit Praying in the Ruins of a Roman Temple》一位隱士在羅馬神廟的廢墟里禱告 |  | Isidor Kaufmann-《Friday Evening》 |  | Isidor Kaufmann-《Untitled》 |  | Italian Euclid |  | Jacob van Ruisdael (Dutch)-《Two Watermills and an Open Sluice》 |  | Jacob van Hulsdonck (Flemish)-《Still Life with Lemons, Oranges and a Pomegranate》 |  | Jacques Joseph Tissot (French)-《Portrait of the Marquise de Miramon, née, Thérèse Feuillant》 |  | Jacques Wilbaut (French)-《Presumed Portrait of the Duc de Choiseul and Two Companions》 |  | Jacques-Louis David (French)-《Suzanne Le Peletier de Saint-Fargeau》 |  | Jacques-Louis David (French)-《The Farewell of Telemachus and Eucharis》 |  | James Holland (English)-《The Saint Mark's Basin, Ven》 |  | Jakob Philipp Hackert (German)-《The Temple of Hercules in Cori near Velletri》 |  | Jan Brueghel the Elder (Flemish)-《The Entry of the Animals into Noah's Ark》動(dòng)物進(jìn)入諾亞方舟 |  | Jan Gossaert (called Mabuse) (Netherlandish)-《Portrait of Francisco de los Cobos y Molina》 |  | Jan Gossaert (called Mabuse) (Netherlandish)-《The Holy Family》 |  | Jan Lievens (Dutch)-《Prince Charles Louis of the Palatinate with his Tutor Wolrad von Plessen in Historical Dress, 1631, Oil on canvas》【1600像素】【一位老人脖子上掛著一個(gè)金色的大獎(jiǎng)?wù)?,他身體前傾,向一位坐在書前的年輕人伸出一只手。男人既沒有看男孩,也沒有看那本打開的大書,而是同情地看著觀眾。他頭上戴著月桂花環(huán),穿著一件繡著繡花斗篷的金黃色長(zhǎng)袍,凝望著遠(yuǎn)方。簡(jiǎn)·利文斯(Jan Lievens)對(duì)歷史人物肖像也很感興趣,這些人物都穿著奇裝奇服。在這幅畫中,普雷森(Wolrad von Plessen)教授普雷森(Wolrad von Plessen)教授普法爾茨(Palatinate)的查爾斯·路易斯王子(Prince Charles Louis)。先前被認(rèn)為是圣經(jīng)對(duì)以利教導(dǎo)撒母耳的描述,現(xiàn)在的研究顯示這些人物是指亞里士多德教導(dǎo)年輕的亞歷山大的經(jīng)典人物。查爾斯王子和亞歷山大大帝都是在十四歲左右接受導(dǎo)師的指導(dǎo)的?!?/div> |  | 上圖的細(xì)節(jié) |  | Jan Steen (Dutch)-《The Drawing Lesson》 |  | Jan Steen (Dutch)-《The Satyr and the Peasant Family》森林之神和農(nóng)民家庭 |  | Jan van de Cappelle (Dutch)-《Shipping in a Calm at Flushing with a States General Yacht Firing a Salute【17世紀(jì),在荷蘭東印度公司(Dutch East India Company)使用的繁忙港口弗里斯森根(Vlissingen,法拉盛),大型船只在平靜的水域滑行。一艘大型游艇上的大炮鳴響禮炮,宣布一位高官的到來。到了17世紀(jì)中期,荷蘭共和國作為全球貿(mào)易帝國的權(quán)力達(dá)到了頂峰,其對(duì)海洋的統(tǒng)治在海洋繪畫中得到了體現(xiàn)。這幅圖包含很多細(xì)節(jié),比如船的索具、帆和裝飾,還有海豚在平靜的水面上游動(dòng)。他還掌握了處理水面反射的大氣和光學(xué)效果,以及在地平線上形成的較輕云層和在前景上方聚集的較暗云層之間形成的對(duì)比?!?/div> |  | Jan van Huysum (Dutch)-《Fruit Piece》 |  | Jan van Huysum (Dutch)-《Vase of Flowers》 |  | Jan Victors (Dutch, 1619 after 1676)-《The Angel Taking Leave of Tobit and His Family》 |  | David Teniers the Younger-《Landscape with Peasants Playing Bowls Outside an Inn》 |  | Abraham Solomon (British)-《Not Guilty》 |  | Abraham Solomon (British)-《Waiting for the Verdict》 |  | Adriaen van de Venne (Dutch)-《A Merry Company in an Arbor》 |  | Adriaen van de Venne (Dutch)-《A Merry Company in an Arbor》 |  | Adriaen van Utrecht (Flemish)-《Still Life- Game, Vegetables, Fruit, Cockatoo》 |  | Alexandre Francois Desportes-《Landscape with a Dog and Partridges》 |  | Alonso de Escobar-《Still Life》 |  | Ambrosius Bosschaert the Elder (Dutch)-《 Flower Still Life》 |  | Ambrosius Bosschaert-《Bouquet of Flowers on a Ledge》 |  | Andrea Mantegna (Italian) (Paduan) -《Adoration of the Magi》Andrea Vaccaro-《David with the Head of Goliath》大衛(wèi)與巨人歌利亞的頭顱 |  | Anthonie Van Borssom-《Panoramic Landscape near Rhenen with the Huis ter Lede》 |  | Anthony van Dyck (Flemish)-《Portrait of Agostino Pallavicini》 |  | Antoine Le Nain-《Three Young Musicians》 |
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