針對(duì)廣告片的部分畫面，特效鏡頭是無法拍攝到的，造成這種情況的一般只有兩種原因：1、拍攝的對(duì)象或者環(huán)境在現(xiàn)實(shí)生活中并不存在，又或者存在的物體根本不可能被拍攝到，例如外星人或是恐龍。2、拍攝的對(duì)象或者環(huán)境雖然現(xiàn)實(shí)生活中真實(shí)存在，可是無法出現(xiàn)在同一個(gè)時(shí)空中，例如影片的主角從爆炸的場景中死里逃生。那么，針對(duì)這些特效鏡頭，該如何進(jìn)行拍攝呢？別著急，傳之人為您進(jìn)行如下詳細(xì)地分析。

　　Generally only two reasons for the part of the screen commercials, special effects can not be captured by the lens, causing this situation: a shooting object or environment does not exist in real life, or the existence of an object could not have been captured, such as aliens or dinosaurs. 2, shooting an object or environment, although in real life is real, but can not appear in the same space and time, such as the film's protagonist escaped from the explosion scene. So, for these special effects shots, how to shoot it? Do not worry, CHUAN ZHI REN pass the following analysis in detail.

　　針對(duì)第一種物體不存在的情況，需要利用別的東西來模仿對(duì)象進(jìn)行拍攝。通常用的手段有制作模型、對(duì)人進(jìn)行化妝以模仿其他的生物以及利用計(jì)算機(jī)制作3D動(dòng)畫。其實(shí)，3D動(dòng)畫也是一種模型，只不過它的建造環(huán)境是計(jì)算機(jī)，模型也是虛擬出來的。

　　For the case of the first object does not exist, you need to use something else to mimic objects to shoot. There usually means making models, makeup people to imitate other organisms and the use of computer-generated 3D animation. In fact, 3D animation is also a model, but it's built environment is a computer, the model is out of the virtual.

　　如果是第二種不可能出現(xiàn)在同一時(shí)空的情況，最常見的方法就是后期合成。因?yàn)?a href="http://www." target="_blank" style="">企業(yè)宣傳片拍攝的對(duì)象是真實(shí)存在的，所以可以事先單獨(dú)拍攝好，后期再將這些拍攝的畫面進(jìn)行合成。以前，合成主要依靠特效攝影和沖印時(shí)的技巧，可是隨著計(jì)算機(jī)的發(fā)展與普及，這些方式都相對(duì)比較落后了。

　　If it is not possible to appear in the second case the same space and time, the most common method is to post-synthesis. Because the object photographed is real, so you can shoot well in advance alone, late and then these pictures taken synthesis. Previously, synthesis techniques rely mainly on special effects photography and printing at, but with the development and popularization of computers, these methods are relatively backward.

　　近年來，特效電影迅速發(fā)展，已經(jīng)帶動(dòng)了整個(gè)電影行業(yè)的成長。利用計(jì)算機(jī)的數(shù)字合成技術(shù)，同3D動(dòng)畫比起來，其實(shí)有很大的差別。因?yàn)閿?shù)字合成技術(shù)并不是一種無中生有的技術(shù)，而是利用現(xiàn)成的素材，將畫面組合拼接，同時(shí)針對(duì)畫面進(jìn)行大量修飾、美化的技術(shù)?？梢赃@么說，數(shù)字合成技術(shù)是一種錦上添花的技術(shù)。

　　In recent years, the rapid development of special effects movies, has led to the growth of the entire film industry. Use of computer digital synthesis technology, compared with 3D animation, in fact, there is a great difference. Because digital synthesis technology is not a fictitious technology, but to use ready-made material, the screen combination stitching, while for the screen to a large number of modifications, landscaping techniques. It can be said that digital synthesis technology is a technology icing on the cake.

　　傳之人指出，針對(duì)一些特效鏡頭無法拍攝的畫面，可以利用3D動(dòng)畫、制作模型以及數(shù)字合成等技術(shù)產(chǎn)生。隨著技術(shù)的不斷發(fā)展革新，特效電影行業(yè)的技術(shù)會(huì)越來越精湛，越來越嫻熟。

　　CHUAN ZHI REN have pointed out, can not be taken for some of the special effects shots of the screen, you can use 3D animation, modeling and digital synthesis techniques. With the continuous development of innovative technologies, special effects movie industry, technology will be more skilled, more and more skilled.